Showing posts with label photos. Show all posts
Showing posts with label photos. Show all posts

Monday, March 23, 2009

Media: March 23, 2009

The Minnesota Daily, the official daily newspaper of the University of Minnesota - Twin Cities published an article today, which may be found at:

http://www.mndaily.com/2009/03/23/students-protest-racial-issues-dance-program


Full text of article with photos posted below:


Students protest racial issues in dance program


The anonymous protesters have been putting up posters and sending e-mails.




Marija Majerle
A student walks past a statement of protest Monday in the Barbara Barker Center for Dance. The statement is part of “THIS,” a more than month long protest by anonymous students who feel institutional racism is an existing problem in the dance program.


BY Briana Bierschbach & Isaiah Potts
PUBLISHED: 03/23/2009

Until last week, a letter taped to the glass windows in the University of Minnesota’s Barbara Barker Center for Dance greeted visitors with a declaration of protest.

The letter, along with other photographs, articles and quotes, is part of “THIS,” an ongoing protest at the dance center by anonymous students who said they feel institutional racism is a problem in the program.

The protest, which has been going on since mid-February, began with a few photos and quotes posted in a stairwell, and has escalated to a full statement of protest and postings all around the dance center. The protest included an open letter to the dance department that stated the University’s faculty has failed to create an atmosphere free from prejudice.

It is unknown how many students are actually involved in the protest.

The protestors, who wish to remain anonymous, said they wanted to raise awareness of racial issues in the program and plan to continue protesting in a direct, but nonviolent way. The protestors would only respond via e-mail to protect anonymity.

There has been little exposure University-wide about the protest, but recently, several meetings were held by the dance department to address the issue.

The casting of Missa Brevis , a production in the dance program, has been acknowledged by faculty, staff and students as a catalyst of the protest.

During the casting two students of color were not selected, but felt that they should have been, said Ananya Chatterjea, professor and director in the University’s dance program.

Chatterjea said the students felt it was because of their race.

Despite the protest, Chatterjea said she feels the department promotes diversity.

“In our department, we have gone out of our way to make sure we are not only casting blonde, blue-eyed dancers, which has been the ideal of the dance world outside,” she said.

Chatterjea said she believes the University’s program is one of the most progressive she has seen.

Of the eight faculty members in the University’s dance department, four are faculty of color, Chatterjea said.

But protesters said the casting was only one example of many mishandled discussions.

Thus far, the faculty and staff at the dance center have not removed the protesters’ signs. However, some people have taken down the posters and added their own signs to oppose the original protest.

Erin McIntire, a first-year student of color, posted a series of responses, titled “THAT.”

A sign McIntire posted read, “THAT is a protest to the passive aggressive behavior of ‘THIS’ toward the faculty and staff of the University of Minnesota Dance program, regardless of ‘color’ or race.”

But the protest has been getting support from other student groups. Chardae Kimber, a junior and member of the Black Motivated Women student group , received and e-mail from “THIS” informing the group of an upcoming meeting to address the protest.

She said she feels issues of racial discrimination need to be addressed.

“I think there is a lack of faculty encouragement when it comes to students of color,” she said.

Carl Flink, director of the University’s theater arts program, said he hopes to meet with the student protestors and have an open discussion on how to address their concerns.

To come up with a solution for the concerns, Flink also said the department plans on working with the Office of the Vice President and Vice Provost for Equity and Diversity .

Click here to read full text and see images.

Monday, March 16, 2009

Responses: March 16, 2009 first day of Spring Break

Someone anonymously added penciled commentary on a posting on the 2nd floor Men's Locker Room.

Also in the 2nd floor Men's Locker Room someone (also anonymous) re-placed a posting that read "Your penis?" above the urinal (where we had originally placed it). It was an answer to the question, "What are you ashamed of?" that was posted on the door of the locker room.

From Responses part 11?

It reads, "shut the fuck up - you sound like an idiot":

From Responses part 11?

Click here to read full text and see images.

Part 11: March 16, 2009 first evening of Spring Break

Tonight we posted a Note for Our Visitors (text below) on the inner door of the main entrance into the Barker.
We re-posted the Open Letter to the Dance Program with an added Addendum.
We re-posted the Statement About the Protection of White Walls, this time on the outside of the office door.
We also re-posted our responses to the questions that had been asked of us in the unsigned posting that had been placed last Monday on both the outer and inner doors of the main entrance; this time we put our responses in the window pane between the main office and Studio 100.
We also retaped some past postings that were now falling down.
Re-posts were re-printings of the original posts that were removed on March 15, 2009. There has been no official word from faculty or students claiming responsibility for removal.

A Note for our Visitors
From part 11

A NOTE FOR OUR VISITORS

Welcome to our building. We are proud of our space and we are glad to have you in it. What you see around you is part of a six week long protest that has led to enormously important discussions we’ve been having about institutional racism, white privilege, and power being used to silence. These are difficult things to think about, let alone talk about, and there is a lot of pain and anger and confusion in our hearts and on our walls.

We don’t all agree with one another, but even in our anger and hurt, we all respect our commitment to the space. Even as we publicly hold our faculty responsible for the issues we protest against, we also publicly acknowledge that it is their activism and effort that has generated our freedom to protest.

We are not embarrassed to take responsibility for these problems by breaking the shame of speaking about them. Our program adamantly places value in anti-racist work and has demonstrated this by publicly permitting these powerful and ugly problems to be plastered across the building. We have been taught to question and to have the highest expectations of this space being one where confronting racism is permitted. We are in the process of learning. We are struggling with looking the monsters in the eye. We want to start learning how to deal with them.

Please feel free to talk with us about THIS. The more people you talk to, the greater the variety of perspectives you will encounter, and talking about it is healthy. The issues we are struggling with here are just an extension of those that permeate the real world, and we know they are present in your spaces as much as they are in ours. We want to learn from each other; we would be grateful to hear your stories and happy to share our own.

Welcome again, to a space where we are learning to be better human beings just as we are learning to be better dancers.

--us, March 16, 2009 (http://thisbyus.blogspot.com)



Re-Post of the Open Letter to the Dance Program, with Addendum
From part 11

Text of the Addendum reads:
Don't disagree by silencing--
talk back, talk more, talk louder.
Silence is the enemy.


Re-Post of the Statement About the Protection of White Walls
From part 11



To view full album, click on the icon below:
part 11

Click here to read full text and see images.

Tuesday, March 10, 2009

Responses: March 10, 2009

Below are photos of the changes that someone (not us) made to our word posts in the 2nd floor Men's locker room/bathroom as photographed on March 10. They added the word "Proud" above "ashamed" over the question, "What are you ashamed of?" that we posted.

In the second photo, all the posts they relocated were placed above the hand towel dispenser.


From response - march 10


From response - march 10


For the complete album of March 10 Responses, click below:
response - march 8 and 10, 2009

Click here to read full text and see images.

Reponses: March 8 and March 10, 2009

The following posts were made on Monday, March 8 by people not us, as a response to our Open Letter to the Dance Program (http://thisbyus.blogspot.com/2009/03/part-9-march-9-2009.html):


On the first door of the main entrance someone (unidentified with a name or pseudonym) posted some questions to consider.
From response - march 10

Text reads:

MIGHT IT MAKE ANY SENSE AT ALL TO INVESTIGATE THE KINDS OF ANTI-RACIST AND ORGANIZING WORK OUR TEACHERS AND COLLEAGUES HAVE DONE? IS THERE ANY WAY TO DISMANTLE AND TRANSFORM? OR IS IT ENOUGH TO DEMOLISH?


We considered, then responded in a post next to it.
From response - march 10

The text of our posting reads:

“A PLACE THAT IS UNEQUIVOCALLY A PLACE OF PRIVILEGE AND PREJUDICE SHOULD BE REJECTED, NO?”

Oppression should be unequivocally rejected. It is not the burden of the people being silenced to reject the place in which it happens, in this case the Barbara Barker Center for Dance. Oppressors do not have more ownership of or entitlement to the space where the oppression happens. “Unequivocal” simply means “clear and unambiguous”. We do see the building clearly being a place of privilege and prejudice, just as we see the world outside as clearly being the same. We don’t, however, see it as being unalterably or unforgivably so.

“PEOPLE SHOULD NOT TAKE ADVANTAGE OF THE NICE FLOORS, OR PERFORMANCE OPPORTUNITIES EITHER, RIGHT?”

Students do not “take advantage” of the resources that they are paying a very large amount of money for. They are entitled to them, and to voice their grievance if those resources fail to meet their needs.

“OR ARE WE ANTI-RACIST ONLY WHEN WE NEED TO ADDRESS A PERSONAL GRIEVANCE??”

You are trivializing the issue of the violence of racism and abuse of privilege by equating it with a “personal grievance”. Many people choose to fight a battle only when it arrives at their doorstep. Not every survivor can or should be an activist. We are not making it personal—we have spent five weeks cultivating the idea of institutional racism and privilege, and one of the reasons we remain anonymous is so that the focus is on the issues, not the personalities.


The second posting on the inside door of the main entrance - written in the same style as the last.
From response - march 10

Text reads:

A PLACE THAT IS UNEQUIVOCALLY A PLACE OF PRIVILEGE AND PREJUDICE SHOULD BE REJECTED, NO? PEOPLE SHOULD NOT TAKE ADVANTAGE OF THE NICE FLOORS, OR PERFORMANCE OPPORTUNITIES EITHER, RIGHT? OR ARE WE ANTI-RACIST ONLY WHEN WE NEED TO ADDRESS A PERSONAL GRIEVANCE??

We responded some more.
From response - march 10


The text of our response reads:

“MIGHT IT MAKE ANY SENSE AT ALL TO INVESTIGATE THE KINDS OF ANTI-RACIST AND ORGANIZING WORK OUR TEACHERS AND COLLEAGUES HAVE DONE?”

We agree it is very important to investigate the anti-racist work our teachers here have done, which we have respect and admiration for. Our criticism of faculty actions and inaction does not negate the anti-racist work they have done, and likewise, their anti-racist work does not automatically negate the issues we have brought out in the open about the mishandling of racism in this program. Additionally, if you expect us as students to be informed about all the anti-racist work that the faculty has done, the faculty should be expected to educate each other with it. The faculty’s anti-racist work has not made the department free of racism.

“IS THERE ANY WAY TO DISMANTLE AND TRANSFORM?”

Yes, there are many ways to dismantle and transform. None of them are easy, and all of them are complex and long-term. If the University is committed to promoting racial equality and justice, it must work rigorously and consistently to implement these solutions.

“OR IS IT ENOUGH TO DEMOLISH?”

Is it enough to demolish what? White privilege? Institutional racism? Bigotry and prejudice based on any kind of identity? Demolishing any one of those would not just be enough, but miraculous and utopian. Unless you mean is it enough to demolish the pretense that everything is fine and no one feels silenced... in which case, no, it is not enough, but it is enough of a start. We are not sure what else it is you think we are demolishing, besides the white pallor of the walls.

-- us, March 11, 2009 (http://thisbyus.blogspot.com)


Erin F. McIntyre, freshman, also posted twice next to our Open Letter (in handwriting)
From response - march 10



close up - top posting
From response - march 10

text reads:
THAT [with arrow]
is a protest to the passive aggressive behavior of THIS towards the students and faculty of the University of Minnesota dance program, regardless of "color" or race.
Sincerely,
Erin F. McIntyre, freshman class, student of "color"


close up - bottom posting
From response - march 10

text reads:
part of a protest is acknowledging that some people will openly disagree with you...


our response to the top post
From response - march 10

text reads:

We think we are more constructively and passionately aggressive, rather than passively, but we support your right to protest our protest, and would like to reassure you that we do not assume that we speak for any students—of any race—besides ourselves.

-- us, March 11, 2009 (http://thisbyus.blogspot.com)


our response to the bottom posting
From response - march 10


From response - march 10


text reads:

We not only acknowledge it, but we also acknowledge the many who have silently made visible their displeasure about us.

-- us, March 11, 2009 (http://thisbyus.blogspot.com)


To view complete album, click below:
response - march 8 and 10, 2009

There were also changes to the 2nd floor Men's bathroom. Photos and update to come.

Click here to read full text and see images.

Monday, March 9, 2009

Part 9: Open Letter to the Dance Program + Statement on the Protection of White Walls


From part 9: March 9



Today we posted our open letter to the Dance Program on the glass walls of the main floor lobby. We posted on the main office door a response to the faculty's concern over the paint on the walls.


Open Letter to the Dance Program:


THIS is not an exhibit.

THIS is a protest.

THIS protests against the lack of safe space for students of Color in this program.

THIS protests against the failure of the faculty as representatives of the University, to provide students the resources they need to be anti-racist allies.

Anti-racist activism is not an aesthetic choice for self-expression to be judged on its creative merit: our purpose is political agitation.

To the faculty and staff, we say:

Mere support for guerrilla art does not support us as students in the issues we are protesting; it co-opts our cause. Do not focus on the pride you feel in your 'intelligent, thoughtful students,' or the idea that you have made us so. Concentrate instead on the ways you've failed us as teachers and administrators.

THIS is your problem. You are responsible for it. The Mission Statement of the University of Minnesota declares it your job to:

Prepare students, interested in continuing education and lifelong learning, for active roles in a multiracial and multicultural world…provide an atmosphere of mutual respect, free from racism, sexism, and other forms of prejudice and intolerance, [and] empower individuals within its community (http://www1.umn.edu/twincities/hist.php).

You have not yet met these goals.

You have demonstrated a profound disconnect between the theories you teach, the ideals you talk about, and the actions you practice. You preach a pragmatism about 'the real world' while at the same time practice a blindness to the real racism that exists. You have shown an unwillingness to carry through the momentary thoughtful discussions that occur in individual, personal interactions to take definitive, institutional action. There is a deafening silence about the intimidation and coercion of students, as well as a participation in faculty politics that prevents you from learning from each other in order to create a healthy atmosphere of mutual respect that has a unified approach to valuing us.

THIS is not just in response to any one person or any specific incident, although the straw that broke our camel back was the discussion around casting and cultural appropriation that occurred during the Dance Revolutions’ post-mortem meeting on February 9, 2009. That discussion proved that the discourse on race in this program has not moved to a higher level in the years we have observed the program faculty repeatedly promise to treat it as an important issue.

We cannot have productive discussions about racism when you have a need to assure everyone that their voices are equally important. The pain of our fellow White students confronting their privilege and guilt about racism is not the same as the pain of students of Color dealing with the sometimes numbingly routine, sometimes shockingly unexpected experiences of being a visible minority.

You should not glorify perseverance in the face of injustice. You should not equate surviving abuse with making lemonade out of lemons. Racism is not a natural disaster -- it is perpetuated by you, even when you are continually working to dismantle a system that privileges them at the cost of others.

To use individual students’ pain as a teaching tool is the symptom of a lazy and selfish pedagogy. Discussions born from our anguish are not “brilliant.” The momentary empathy and enlightenment generated in White students is not more valuable that the frustration and fear required from us to create those “learning situations.” When the only discussions are personal, White students learn about pain without acknowledging their privilege, and students of Color learn that our voices will be co-opted, ignored, belittled, or squashed.

To our teachers we say:

We do not want the hypocrisy of a relationship that simulates honesty at the cost of our silence. Open dialogue can only happen when there is a respect for all the voices participating in it. It is your loss if you cannot be as open to and desirous of correction as you ask your students to be.

We are not overly concerned in assuring the University of our safety for the purposes of insurance liability; we have taken responsibility for our bodies in this as we do every day in our actions as students and human beings.

If you are concerned with our safety and well being, focus on what truly makes us feel unsafe. What really threatens us is the lack of a space where our minds are not assaulted by prejudice and our voices are not silenced by ignorance and privilege.

You cannot create safety by vocal assurances of good intent. You can only earn our trust by consistent, rigorous action. Hearing our criticism is a privilege; it is not our responsibility to educate you about the mistakes you make, but a measure of the belief we have in your good intentions.

To the faculty of Color, we say:

We recognize the difficulties you face in negotiating the power you have as faculty with the challenges you face as people of Color. We respect the battles you have fought and the work you do, even as we include you in our criticism. We are angered by the attempts to use your identities as weapons against our dissatisfaction, and resent the implications that your bodies are part of the “solution” to the “diversity problem”, because we learn from you and respect you not because of your race, but because of the quality of your knowledge and teaching. We agree that the burden of educating your White colleagues and superiors should not have to fall on you, but we must point out that your failure to do so has led to their continual assault on us. We are grateful when you help fight injustice on our behalf, but we want to remind you that you cannot speak for us, because your bodies of Color are marked with an institutional power and privilege that we do not have.

To our fellow students, we say:

If you have felt threatened, alienated, or angered by the voices on these walls, perhaps you might want to consider the extent to which we—your classmates, your peers, your friends—have been silenced for the sake of your comfort. We stand by all the words on these walls. They speak for us when we are too afraid or drained or angered to.

If you cannot understand why you must be subjected to them—take it up with your teachers. It is the responsibility of this university to educate you about views and opinions other than your own, and the education you pay for has failed you if it leaves you exposed to hurting or alienating out of ignorance the people you work with and care for.

We have put the means of educating yourself inside this very building—ignoring them exposes you to our disappointment at your willful blindness, and that you have the freedom to make that choice is a privilege. We support your anger at the institution for not giving you these tools—you have a right to demand that it is the faculty’s job to educate you.

To those who see our anonymity as cowardice, we say:

We do not trust personal discussions with any of you because you have proven yourself unfaithful too often. We are first and foremost concerned with protecting our minds and hearts from the assaults they are routinely subjected to every time we try to engage with activism. We spent four weeks creating moments where the building became safe for us because we had the freedom to invest our energy in our cause without being derailed, decried, or despised. We will only talk to those whom we trust, on the terms that we set, because any other kind of dialogue has proven unproductive for us. We have seen how even faculty members feel silenced because of their fear of those with more power than them. In such an unhealthy climate of institutional intimidation, we have no desire to test the fairness of those who hold power over our academic, financial and intellectual standing in this university.

To those who would ask us, "Well, what are you doing to be part of the solution?" we say:

Placing the burden of fighting racism on those who have to deal with it every day derails the issue. It is unjust to demand activism from students who are already coping with surviving in a system that is actively, continually, and consciously stacked against them. The solution comes from the perpetrators being held accountable.

We take real risks in challenging people in power--people who have a direct hand in our careers and dreams and aspirations, and it is a risk for us to challenge people whom we respect, admire and have deep affection for.

Do not ask us for some easy, ultimate solution when the space is not even safe enough for us to openly state the problem. We demand change from those whose inaction we are protesting.

To anyone reading this who thinks institutional racism is irrelevant:

The act of silencing is an act of violence. The abuse of power permitted by privilege is an act of violence. Talking about it is no more inappropriate than talking about sexual violence. Racism must not be treated like the molesting uncle in the family whose public acceptance is bought by the suppression of his victim’s voices. It is more shameful to be silent about the violence that to feel ashamed about its existence. Denial only aids the oppressor, and hurts the survivor.

As we confront our own unthinking prejudices and strive to become better allies to each other, we are very aware of the magnitude of what we are asking of you.

So --

THIS is how we feel. What are you going to do with this knowledge?

-- us, March 9, 2009 (http://thisbyus.blogspot.com)



From part 9: March 9


A Statement about the Protection of White Walls

We have done our best to ensure no harm comes to the building. Your worry for the “safety of...the building...being compromised” implies a threat that is out of proportion to the cosmetic injuries of peeling paint. Part of what we are protesting is that the resources that we students pay for have not been used to give us the anti-racist protection we need—in that regard, the money we have spent on this protest serves us better than our money that the University will spend on fresh paint.

We are saddened that being complicit with bureaucracy forces a real person to take a stance that says “We care more about the safety of paint than we do about Anti-racist protest.”

We will try to use the sort of mounting adhesives you ask us to, while observing the irony in us complying, at our considerable financial expense, with your demand to protect the assets the abusive system values over our protests at its failure to use the money we give it to satisfactorily protect and serve us.

If the program is indeed supportive of the material on the walls, then we suggest you actively demonstrate that support by supplying the adhesives you would like to be used, and replacing it on all the existing material.

We realize that this is a lot of work, but if you were to ask our fellow students for help, by providing materials and setting an example, we suspect that many of them would be happy to do so. Some of them might be us.

We would definitely see any removal of the material on the walls as an act of further silencing, and we are not the only ones who would feel that way.

Part 9: March 9, 2009

Today we posted our open letter to the dance program as well as a response to the faculty's concern about paint. We will post the text in its own separate post.

We also posted words in the 2nd floor Men's and Women's bathrooms.

Additionally, we added to existing parts: added photos of Naseeruddin Shah, Reza Aslan, and Dgakapurra Munyarryun in the second floor back stairwell, added two more photos to the invisible bodies section, posted another sign on the other public entrance to the building that reads "You are now entering a space of privilege and prejudice", and added a THIS to the underside of the lobby stairs.


Combined person hours: 41
This figure includes time spent together in a physical space doing final editing and preparation for Part 9.
This figure does not include all writing, editing, research, organizing, printing, hashing and rehashing ideas, documentation, and recovery.
This figure does not include the time of allies who have helped us write, and have written to us.

Financial costs: final costs to be calculated. Spent $10 on double sided tape to comply with the faculty request that we use paint-friendly adhesives. The words in the bathroom fell down.

PHOTOS

To view full photo album, go to: http://picasaweb.google.com/thisbyus/Part9March9#

back door - main floor

From part 9: March 9






2nd floor Men's and Women's bathroom doors read "What are you ashamed of?"
From part 9: March 9


the inside of the Men's bathroom

From part 9: March 9


From part 9: March 9


From part 9: March 9


From part 9: March 9


the inside of the Women's bathroom
From part 9: March 9


From part 9: March 9


to view full album, click below:

part 9: March 9



Click here to read full text and see images.

Thursday, March 5, 2009

part 8: March 5, 2009

Today we spilled out onto the main floor. We lined the steps of the main staircase with the word "PRIVILEGE" on the underside and on the walking side, two sentences about privilege. On the window-wall between studio 100 and the main offices we quoted popelizbet in 250 font size lettering. We expanded into the Men's and Women's bathrooms and covered the door that opens to the back stairwell (which is never used) . And we put messages on the doors leading in and out of the building.

The only addition to the second floor today was adding a message inside the faculty bathroom.

PHOTOS

To view full album, go to:
http://picasaweb.google.com/thisbyus/Part8#

A few below:

main entrance into the building
From part 8


privilege staircase
From part 8


window-wall
From part 8


Men's and Women's main floor bathrooms
From part 8


first floor - door to back stairwell that is infrequently taken
From part 8


staircase - top (walking) side
From part 8


staircase - top (walking) side
From part 8


faculty bathroom
From part 8


main floor door exiting the building
From part 8


for complete photo album, click on the image below:

From part 8


Combined person hours: 18
This figure does not include all research, organizing, printing, hashing and rehashing ideas, documentation, and recovery.

Financial costs: final costs to be calculated. For Part 8 printing, we relied mainly on a friend's generosity in giving us access to a laser printer.

Tuesday, March 3, 2009

part 7: March 3

Today we burst onto the second floor.

We devoted the 2nd floor glass window-walls to invisible bodies. It was a deliberate decision not to identify the bodies photographed. Surrounding the photographs we posted words - labels and categories. We also posted more written material on the door of Studio 200, the elevator foyer, the hallways leading to faculty offices (with bell hooks and Paulo Freire), and the outside of the doors of both the faculty and student bathrooms.

The authors we included (in random order): Wheelchair Dancer, Paulo Freire, nightengalesknd, Cripchick, bell hooks, Robert M. Pirsig, Gillespie and Woods, Little Light, Anonymous, Anonymous, Anonymous,

Combined person hours: 24
This figure does not include all research, organizing, printing, hashing and rehashing ideas, documentation, and recovery.

Financial costs: final costs to be calculated. Today we spent another $75 on color and black ink.

PHOTOS BEFORE

Click below to view photos "before". A small tour of the second floor, for anyone unfamiliar:
part 7 - Before, a small tour of the 2nd floor


PHOTOS AFTER

invisible bodies window-wall
From Part 7: March 3


From Part 7: March 3


elevator foyer
From Part 7: March 3


on faculty bathroom door
From Part 7: March 3


To view complete album, click on icon below:

Part 7: March 3

Thursday, February 26, 2009

Part 6: Feb 26, 2009

Today we covered the framed photographs of the local dancers in Studio 300 with famous international dance artists/companies. Thank you thank you thank you to all of you who sent us photos. The photos you've provided have been valuable in informing our dialogue about which dance artists to represent in studio 300, and which we are choosing to leave out and place elsewhere in the building. The ones we didn't end up posting today, we are saving for later.

Today's posting was perhaps the most conflicting for us so far; as limiting as it may be, we ultimately decided on dance artists who fall under the category of what is labeled "Contemporary Dance" for the following reasons: 1. We wanted to provide an alternative to the photos that had originally been there (generally of Contemporary dance artists still alive and working, most or all of whom are U of M graduates, the majority White Americans) so as to provide international examples of Contemporary dance to contrast the local examples. The aim was to widen the scope but not change where it was looking; an alternative as opposed to a comprehensive cross-section of the world. 2. It is easier to find information about international "Contemporary Dance" companies and artists and search for photos which include performer citations that can print high enough quality in terms of file size. If we left gaps or were incomplete, it only speaks to our limited knowledge, education, and time - to thoroughly research every single awesome dance artist in the whole world while also reflecting all the cultural value systems for judging the signficance of each. We nonetheless did our best to represent, and we hope to go back and improve upon it, but no matter what, we will be leaving many important dance makers out. Our goal remains to provide an alternative; we are not attempting to assume a voice for everyone.

Dance Artists and Companies posted (clumped in terms of region but not in any particular order): Batsheva (Israel), Cairo Opera Dance Theatre (Egypt), Ibdaa Dance Troupe (Palestine), El-Funoun Palestinian Popular Dance Troupe (Palestine), Company Jant Bi (Senegal), Company Tche Tche (Cote d'Ivoire), Faustin Linyekula (South Africa), Gregory Maqoma/Vuyani Dance Theatre (South Africa), La Compañía Danza Fragmentada (Cuba), Makeda Thomas (Trinidad), Cloud Gate (Taiwan), Jin Xing (China), Sankai Juku (Japan), Astad Deboo (India), Jayachandran/Attakalari (India), Padmini Chettur (India), Navtej Singh Johar (India), Amrita Performing Arts (Cambodia), EcnaD (Singapore), Lee Swee Keong (Malaysia), Sardono Katsumo(Indonesia)

Combined person hours: 24
This figures does include last minute research and printing.
This figure does not include all research, organizing, printing, hashing and rehashing ideas, documentation, and recovery.

Financial costs: final costs to be calculated. We ran out of colored ink today ($42). $16 on more photo paper.

We did not take "before" photos. Our mistake.


PHOTOS AFTER

View entire album at:
http://picasaweb.google.com/thisbyus/Part6#

Sub-Saharan African, Indian Subcontinent, South America, Southeast Asia
From part 6


From part 6



Middle Eastern
From part 6


Middle Eastern, East Asian, Carribean
From part 6


click below to view entire album:

part 6